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Generate a group portrait matching their EXACT physical characteristics: Natalia Hayes-Rivera: Nat, a female, aged 23, 5'8" tall, Hispanic/White, slim and toned build. Hair: Light brown with caramel highlights hair, Long (mid-back), styled as Loose, brushed-out waves left mostly natural, parted slightly off-center so the light brown and caramel ribbons fall softly around your face. Work a light smoothing cream through damp hair, then air-dry or diffuse so the waves keep their original pattern, focusing on definition from mid-length to ends. Once dry, take a few face-framing sections around the front and lightly refine with a large-barrel curler, wrapping away from the face for two or three seconds so the bend looks like an enhanced version of your own texture, not a formal curl. Gently brush through everything with a boar-bristle or mixed-bristle brush to soften and blend the waves, keeping the top flatter and more controlled so it reads polished in the quiet library light. Tuck one side behind the ear on the side facing the shelves so your small gold hoop is visible as you lean toward the spines, letting the other side fall forward to brush the collar of the turtleneck and the open white shirt. Finish with a soft, flexible-hold mist, concentrating on the mid-lengths so the hair moves naturally as you step between stacks, with the very ends skimming the back of your camel skirt in an easy, scholarly curtain. Face: Hazel eyes, Medium tan skin, sharp hazel eyes that command attention, confident posture, subtle dimple on left cheek. Skin and makeup: Soft medium tan skin with a velvety, even finish, like she let her skincare do most of the work. A light, sheer-satin base evens out tone while still letting natural warmth and faint freckles, if she has them, peek through. Any concealer is minimal, targeted only under the eyes and around the nose, tapped in with fingertips so nothing looks heavy under the library’s warm lamplight. Brows are softly structured, following their natural shape, brushed up with a clear or lightly tinted gel for a groomed but unforced look that frames those sharp hazel eyes. On the lids, a wash of matte taupe or soft camel shadows the crease, echoing the mahogany shelves and her skirt. Along the upper lash line, a fine, smudged espresso pencil adds definition without a harsh edge, anchored tight at the outer corners so her gaze looks intent, not overtly made up. Mascara is black-brown, lengthening more than volumizing, focused on the top lashes for an open, quietly alert eye. Her hazel eyes look almost lit from within: a subtle, fine-line highlight at the inner corners and just under the brow arch catches stray beams of light when she turns toward a title on the shelf, hinting at curiosity more than glamour. Cheeks carry a soft, muted rose-brown cream blush, pressed in high on the apples and diffused toward the temples so it blends seamlessly into her tan skin. A touch of warm, finely milled bronzer follows the natural contours beneath the cheekbones and along the hairline, more like a shadow than a sculpt, mirroring the interplay of light and dark in the stacks. The dimple on her left cheek is left bare of heavy product, just a slight softening so it reads as an unedited, human detail when she half-smiles at a discovered first edition. Highlighter, if any, is minimal: a satin, almost undetectable glow tapped along the tops of the cheekbones and bridge of the nose, meant to look like healthy skin rather than shine. Skin finish overall leans satin and softly set, with translucent powder touched only through the T zone so she can move from study carrel to ladder without worrying about shine, yet still look alive and dimensional. Lips are understated and bookish: a blurred, my-lips-but-deeper rosewood or warm nude-brown, in a balm-tint or soft satin lipstick patted on and diffused with a fingertip. The edges are not sharply lined; it feels like she has been gently pressing her lips together between pages. A thin layer of hydrating balm underneath keeps them comfortable through long hours of quiet reading and tea. The overall effect is polished but low-key: makeup that suggests intention and care, perfectly at home between wood-lined aisles and archival spines, enhancing her attentive hazel eyes and thoughtful posture without ever competing with the hush of the Main Stacks. Expression: Brows slightly lifted with a hint of curiosity, eyes focused and intent on the book spine, lips relaxed into the faintest knowing half-smirk that suggests you have an opinion about whatever you are reading, projecting quiet confidence and a touch of dry amusement. Outfit: A fitted navy turtleneck in a soft, fine merino knit, smooth against the skin and slim through the sleeves, is tucked neatly into an A-line midi skirt in camel wool twill. The skirt has a subtle herringbone texture that shows up only when the light catches, with a clean waistband and a gentle, librarian-approved swish as you move between the mahogany shelves. Over the turtleneck, a crisp white button-down in lightweight cotton poplin is worn open like a shirt-jacket. The fabric is smooth and slightly structured, with narrow cuffs casually rolled to mid-forearm so it feels smart without being stuffy. The collar is sharp but relaxed, framing the neck of the turtleneck and adding that quiet academic layering detail that belongs in the Main Stacks. On the ears, small minimalist gold hoops with a soft satin finish sit close to the lobe, paired with a thin gold ring and a delicate gold chain bracelet. The metal is warm, understated, and catches just enough of the library’s low light without feeling flashy. A structured black leather crossbody bag with clean lines and minimal hardware hangs at the hip, its surface a smooth, semi-matte grain that feels classic beside the antique bindings. The bag has a firm shape that stands upright on a reading table, with a slim top handle and an adjustable strap so it can sit comfortably while browsing or climbing the rolling ladder. For shoes, black leather loafers with a slightly elongated toe and a low stacked heel keep the look polished yet practical for a 23-year-old moving between studying and tea breaks. The leather is softly shined, not mirror bright, with a single subtle strap across the vamp and no loud hardware. A whisper of olive appears in fine ribbed socks, just visible when walking, tying into the scholarly palette in a quiet, intentional way. Pose: Standing side-on to the shelf in the Main Stacks, body angled about 45 degrees toward the camera, weight eased into the back leg so the front foot is slightly ahead as if you were mid-step down the aisle. Spine long but relaxed, shoulders soft, head tipped a touch toward the books like something on the shelf just caught your attention. The crossbody strap cuts cleanly across your torso, bag resting flat at hip level against your skirt. Chin neutral to slightly tucked, gaze settled on a single spine in front of you, giving the feel of a quiet, thoughtful pause in the middle of browsing, framed by the tall shelves on either side., hand position: Front hand lifted around chest height, fingertips resting lightly on one book spine as if you are about to slide it free, thumb relaxed along the edge instead of gripping. The other arm falls naturally by your side with a soft elbow, back hand brushing the side seam of your skirt or grazing the top of the bag, fingers gently curved. Wrists stay loose and straight so the hands read as an unposed, in-motion moment of looking through the stacks. Eleanor Claire Wren: Elie, their friend’s friend who works with her family at the library, a female, aged 17, 5'6" tall, Caucasian, willowy and delicate build. Hair: Vibrant auburn hair, Long, styled as Hair loose in its natural wild waves, parted slightly off center so the bulk falls down your back and over the shoulder closest to the shelves. Let the length spill forward just enough that a few rich auburn strands brush the lace collar and frame your cheek as you tilt toward the spines. Gather only the top section from temples to crown, twist it lightly and secure it at the back of your head with a small antique brooch that looks like it could have slipped out of a forgotten first edition. Keep the twist soft so it doesn’t fight the texture, allowing shorter pieces to escape around your face. Tuck a narrow dried rose velvet ribbon through the brooch’s clasp so a short tail disappears into the waves, barely visible unless the aisle’s lamplight catches it. Leave a few wispy front pieces loose to skim the edges of your spectacles, as if you pushed your hair back absentmindedly while hunting for the right book. Face: Wide, searching hazel eyes eyes, Fair and translucent skin, ink-stained fingertips, dreamy, faraway expression, distinctive cupid's bow lips. Skin and makeup: Skin kept close to bare, letting that fair, translucent quality show through, with just a sheer, light-coverage tint pressed in where the cheeks naturally flush and around the nose so it still looks like real skin under library light. A touch of thin concealer is tapped only under the eyes and over any small blemishes, left slightly diffused at the edges so nothing feels heavy against the lace collar. Across the bridge of the nose and high points of the cheeks, a soft, cool-toned rose blush is blurred in as if she has just come in from the evening air or climbed a ladder to the upper shelves. Any highlighter is kept subtle and satin, focused on the cheekbones and cupid’s bow so the skin catches lamplight with a quiet sheen instead of a shimmer. Brows are brushed into place and lightly filled with a fine pencil or powder no darker than her natural shade, giving them a bookish, soft structure rather than a bold frame. On the eyes, only a wash of muted taupe or soft plum shadow sits low on the lid and slightly into the socket, mimicking the library’s shadows. The edges are hazy, with no harsh lines, as if the color has settled there over an afternoon of reading. A tight line of deep brown pencil between the upper lashes deepens her gaze without obvious liner, and a single, careful coat of brown-black mascara lifts the lashes while keeping them pliable and ink-soft. Her lips keep their natural shape and that distinctive cupid’s bow is honored rather than overdrawn. A tinted balm in a dried rose or berry-stained shade is pressed in with a fingertip so it looks like the color has lived there for hours, slightly smudged at the inner edges, as if she has been biting her lip while annotating a passage. The finish is moisturized and soft, more like well cared for parchment than gloss. Hands are left with ink-stained fingertips intact, nails short and tidy with either a clear coat or a barely-there milky nude so the stains from catalog notes and fountain pens remain part of the story. Overall, the makeup feels like an extension of her surroundings: quiet, scholarly, and intimate, accentuating the dreamy, faraway expression and the thoughtful precision of a seventeen-year-old who lives between pages. Expression: Brows slightly knit in soft concentration, lips parted in a small, delighted half-smile, like she has just spotted a familiar author or an intriguing title mid-step and is caught between quiet awe and the impulse to reach out and read the first line. Outfit: Victorian-inspired lace blouse in parchment cream, the fabric soft and sheer with a high, ruffled collar and narrow cuffs edged in intricate floral lace. Tiny ink black buttons trail down the front like punctuation marks, and the yoke is finished with delicate pintucks that feel more seminar than ballgown. Over it, a fitted velvet waistcoat in deep plum, cut short enough to show the high waist of her trousers. The velvet has a subtle, almost bruised sheen that shifts between plum and dried rose when it catches the library’s low light. Antique gold filigree buttons echo the detailing of old book clasps, and the hem is slightly curved, echoing a vintage menswear waistcoat but tailored slim for her frame. High-waisted velvet trousers in ink black, softly structured rather than stiff, with straight legs that break neatly over her boots. The waistband sits just above her natural waist, cinching the look into something precise and studious, while knife-pleats at the front keep the lines sharp enough for Highland Prep yet comfortable for climbing ladders in the Main Stacks. A thin moss green ribbon is threaded through the belt loops and tied off inside, a secret note of color only visible when she moves. Lace-up Victorian boots in ink black leather, ankle height and practical for long shifts at the library. The toes are gently rounded rather than extreme, keeping them age appropriate, with subtle brogue detailing along the seams. The laces are a soft dried rose, a quiet romantic contrast that looks like it could have been dyed with old ink and pressed petals. Round wire-rimmed spectacles in antique gold, the frames fine and lightweight, sitting low on her nose when she reads call numbers. The temples are engraved with a barely-there ivy motif, and the lenses catch the warm lamplight, giving her that perpetual air of someone mid-annotation. An antique locket in aged antique gold resting at the hollow of her throat, the chain fine and just long enough to lie against the plum velvet of the waistcoat. The locket itself is oval, etched with a faint moss green enamel vine along the edge, and when she’s thinking or listening to a story in the stacks, her fingers find it instinctively, as if turning a page. To finish, she slips a narrow velvet ribbon in dried rose into her hair at the back, tying a small bow that disappears in dark waves unless the light finds it. The result is romantic Dark Academia made approachable for a seventeen-year-old librarian in training, scholarly lines softened by lace, velvet, and the suggestion of a half-forgotten novel tucked under her arm. Pose: Stand sideways in a narrow library aisle, body angled three quarters toward the shelf. Let your weight sink gently into your back leg so your stance feels relaxed but grounded. Keep your spine easy and upright, close enough that your shoulder almost brushes the wooden shelves. Tip your head slightly toward a mid level row of books, as if something on the shelf has just caught your interest while you were walking past. Place one boot a half step ahead of the other with the front foot turned slightly toward the shelf to keep the sense of movement, and direct your gaze along the line of books rather than toward the camera so it feels absorbed and quiet., hand position: Lift your nearer hand to about chest height on the shelf. Let your index and middle finger rest lightly on the spine of one worn book, with your thumb just catching the neighboring spine so it tilts forward a touch, like you are weighing which one to take. Let your other arm hang relaxed with a small bend in the elbow, that hand holding a slim book against your thigh so its bottom edge rests on the top of your boot. Let one finger curl loosely around the chain of a locket or pendant near your waistcoat or waistband, as if you are absentmindedly turning over a line you just read. Positions: Arts & Literature Representative at Highland Preparatory School, Weekend Librarian at The Wren Heritage Library, Tour Conductor at The Wren Heritage Library, Senior at Highland Preparatory School. Setting: Inside. Location: === LOCATION: The Wren Heritage Library === An exquisite heritage library owned by Elie’s Wren family, preserving antique books and literary treasures while serving as the primary library for Highland Preparatory School students. Possible Activities in this location include "Reading", "Studying", "Research", "Browsing books", "Tea and conversation", and "Quiet contemplation". --- Available Areas in The Wren Heritage Library --- • The Binding & Brew Cafe: Cozy literary cafe nestled within the heritage library, where a love of book restoration meets the warmth of tea and contemplation. Perfect for quiet reading, studying, and enjoying pastries surrounded by cherished volumes. Possible Activities in this area include "sipping tea", "reading", "studying", "socializing", "working", and "enjoying pastries". • Highland Prep Connection: Private passage connecting to Highland Preparatory School. Note: The Wren Heritage Library is owned and operated by Elie’s Wren family as a library that generously serves the school community. Possible Activities in this area include "entering school", "entering library", and "transitioning between buildings". • Residence Connection: Private passage connecting The Wren Heritage Library to The Wren Residence next door Possible Activities in this area include "walking to residence", "accessing residence", and "connecting spaces". • The Main Stacks: Towering shelves of leather-bound and well-thumbed fiction and history. The aisles are narrow and quiet, lined with rich mahogany wood. Possible Activities in this area include "Browsing spines", "Climbing ladders", and "Discovery of forgotten stories". • Quiet Reading Room: An alcove partitioned by heavy velvet drapes, featuring individual leather-topped study desks and individual green-shaded brass banker's lamps. The floor is covered by a threadbare Persian rug that anchors the scene in timeless warmth. Possible Activities in this area include "Deep focus", "Serious study", "Note-taking", and "Annotating margins". • Main Checkout & Returns Area: A high, ornate oak counter where books are stamped and new members are registered. A small porcelain teacup and a stack of handwritten letters often rest on the surface. Possible Activities in this area include "Book stamping", "Membership registration", and "Asking for recommendations". • The Founder's Suite: An exclusive, hidden sanctuary tucked behind a disguised revolving bookshelf in the library. Entry requires swiping a specialized family or friend ID card at a concealed reader. This room is reserved strictly for authorized members. It features deep oxblood leather armchairs, an antique wet bar, and the family's most precious private archives. The lighting is dim and warm, provided by low-hanging crystal sconces. Possible Activities in this area include "Private family councils", "Late-night secrets", "Drinking aged scotch or rare teas", "Examining restricted archives", and "Swiping ID cards for entry". • Antique Book Stacks: Shelving with rare and antique volumes organized by collection Possible Activities in this area include "browsing books", "researching", and "discovering treasures". • Reading Room: Quiet space for reading and studying with comfortable seating Possible Activities in this area include "reading", "studying", and "quiet contemplation". • Grand Staircase: A magnificent central staircase connecting the library floors, featuring elegant woodwork and architectural details that inspire contemplation and movement throughout the building. Possible Activities in this area include "climbing stairs", "exploring architecture", "transitioning between floors", and "observing the building's design". • Main Librarian's Desk & Reception: Primary service area for librarian assistance and visitor reception Possible Activities in this area include "research assistance", "visitor greeting", and "book recommendations". • Parking Area: Collection of parking facilities including outdoor lot and indoor structure A Possible Activity in this area is and "parking". • Outdoor Garden & Fountain: A serene outdoor garden and fountain area with landscaping, walking paths, and a central fountain feature. Perfect for quiet contemplation and outdoor gatherings. Possible Activities in this area include "Entering", "Meeting at the entrance", "Photography", and "Admiring the facade". • Grand Rotunda & Main Entrance: The magnificent interior rotunda serving as the grand main entrance to the library. A soaring circular space with architectural grandeur, featuring high ceilings, ornate detailing, and a central information hub. Possible Activities in this area include "Entering", "Orientation", "Admiring architecture", "Meeting", and "Photography". *** CURRENT AREA: The Main Stacks *** Towering shelves of leather-bound and well-thumbed fiction and history. The aisles are narrow and quiet, lined with rich mahogany wood. Floor: 1. Possible Activities in this area include "Browsing spines", "Climbing ladders", and "Discovery of forgotten stories". --- Available Subareas in The Main Stacks --- • General Reference: Main shelving with general reference and popular works Possible Activities in this subarea include "browsing", "researching", and "selecting books". • Archival Materials: Protected archival materials and special collections Possible Activities in this subarea include "research", "viewing archives", and "study". • Textbooks Section: Neatly organized rows of academic textbooks spanning sciences, humanities, law, and mathematics, with small study carrels tucked between the stacks for quick reference Possible Activities in this subarea include "studying", "browsing textbooks", and "researching". --- People Associated with The Wren Heritage Library --- [Featured in this photo: eleanor-claire-wren (employee: Weekend Librarian), eleanor-claire-wren (employee: Tour Conductor)] (Also associated: julian-arthur-wren (Elie’s brother, employee: Assistant Weekend Librarian), arthur-james-wren (Elie’s dad, employee: Assistant Librarian), madison-james-sinclair (Elie’s cousin Maddie, employee: Operations Specialist), claire-elizabeth-wren (Elie’s mom, employee: Head Librarian)) --- Connected Locations --- • Highland Preparatory School: A prestigious private preparatory school known for its rigorous academics and elite athletic programs. The campus features a mix of historic stone buildings and state-of-the-art modern facilities. [Activities: Competitive tennis, Varsity swimming, Advanced literature seminars, Classical music rehearsals, Library study sessions, Track and field training]. Time: Late afternoon. Weather: Late afternoon leans soft and pale, the kind of winter light that feels thin but honest. It is January 2, and the year still smells new, like cold air slipping under doorframes and the faint trace of holiday pine clinging to coats. The sky is a restless collage of cloud and blue, ragged patches of brightness drifting across the scene so the world keeps shifting between highlight and shadow. The air has that sharp, bracing edge of deep winter, not violent, just insistent, waking up every inch of exposed skin. When the sun breaks free of the clouds, it brushes color onto everything it touches, a cool, silvery warmth that never quite reaches the fingertips. The clouds move lazily, layered like soft gray wool, occasionally parting wide enough to let a sudden spill of light catch in hair, on cheeks, in the glint of a lens. Winter has muted the palette around you. Trees stand bare and articulate, dark branches scribbled against the sky. Grass is washed out and tired, edges crisped by frost that melted in the late-day brightness and now lingers only in the shadows. Every breath hangs briefly in the air, visible proof of your presence before it dissolves. There is a quiet, suspended feeling to this hour, as if the season has pressed pause. The remnants of the holidays still echo faintly in the atmosphere, yet the world feels emptied out and calm, like a stage reset between scenes. The partly cloudy sky keeps toying with the light, offering quick flashes of radiance, then pulling them away, inviting you to catch something real in the in-between of winter afternoon and early evening. Mood:. Camera: Eye-level, taken from the opposite side of the aisle, slightly ahead of Nat so the camera is facing her at a soft 3/4 angle as she moves down the stack and pauses at the shelf, with Elie just ahead of her in the aisle, turned slightly back toward Nat as she guides her. Composition: Rule of thirds: Nat placed on the right third of the frame, body angled along the aisle, with the shelf she is browsing forming a leading line from foreground into the background. Elie, their friend’s friend and the weekend librarian, stands on the left third but deeper into the aisle, closer to the shelf she’s indicating, her body angled toward Nat to show she is explaining something to her. The left side of the frame is filled with the opposing bookcase, softly out of focus, creating a tunnel effect that directs attention toward Nat’s quiet pause, Elie’s guiding gesture, and the single book spine Nat is studying. Background stacks fall off into blur to keep the mood intimate and contemplative. Zoom level: Mid-length: framed from about mid-thigh to just above Nat’s head so they clearly see the crossbody strap across her torso, the bag at her hip, the line of her stance in the aisle, and enough of the surrounding shelves to situate her in the Main Stacks without pulling too far back. Include most of Elie’s torso and head in the same frame, her Victorian-inspired outfit and librarian posture clearly visible beside the shelves. Lighting:. Depth of field: Shallow depth of field with Nat in crisp focus from her eyes to about mid-torso, her outstretched hand and the book spine she is reaching for also sharply defined. Elie, just ahead of her, is slightly softer but still clearly readable, with her face and the line of her gesture toward the reference section in gentle focus. The row of shelves immediately beside them is legible but gently softened, while the aisle stretches behind them into a progressively creamier blur. Titles two or three sections behind them dissolve into indistinct bands of color, and the far end of the mahogany stacks becomes a soft, velvety haze. Background blur is smooth and flattering, with rounded, unobtrusive bokeh from any distant reading lamps so Nat and Elie stand out cleanly against a softly abstracted tunnel of books. Background details:. Image style: Soft, clean digital look with controlled contrast and gentle clarity, avoiding harsh edges. Light is warm and directional from side windows and lamps, wrapping Nat and Elie in subtle highlights and soft shadows that sculpt features without feeling dramatic. White balance leans warm neutral, keeping skin tones natural and flattering while enriching the honeyed wood, deep greens, and inky blues on the shelves. Color grading is restrained and elegant: slightly muted primaries, rich but not over-saturated tones, with a hint of teal in shadows and warm amber in mids and highlights to create a quiet, book-lined cocoon. Blacks stay soft rather than crushed; midtones carry most of the detail to keep the scene inviting and readable. Clarity and texture are applied with precision, emphasizing fabrics, hair, and the grain of the wood while keeping backgrounds gently softened to draw the eye toward Nat’s expression and hands, and Elie’s guiding gesture. Selective vignetting is very light, just enough to center attention without feeling stylized. Skin retouching is minimal and natural: even tone, smoothed transitions, preserved texture. Sharpening is subtle and localized on eyes, hairline, and key details like watch, jewelry, or book edges, maintaining a polished yet approachable feel. Overall, the edit supports a quietly contemplative mood: clean, modern, and smart, with just enough depth and warmth in the tones to echo Nat’s focused, thoughtful energy among the stacks as their friend’s friend Elie shows her around. Color palette:. Additional information: Elie showing Nat where to get reference books in The Main Stacks, both absorbed in the shelves rather than the camera, with Elie’s body turned slightly toward Nat as she points along the row and Nat’s gaze following her friend’s friend’s guidance up the spines. Aesthetic:. Not everyone needs to face the camera. Vary body angles (turned away, at angles, side-profile) for natural compositions. When multiple people are present, subjects should look at each other if that is the most natural thing to do given the context: otherwise they should look towards the camera, though it is not necessary for them to look directly at it. Eyes should follow body direction, look toward another person in the photo, or gaze away for candid moments. Social context and relationships: Natalia Hayes-Rivera's relationships: Ben is her brother. (works as Cross Country Team at Highland Preparatory School, Junior at Highland Preparatory School). Ken is her brother. (works as Yearbook Photographer at Highland Preparatory School, Junior at Highland Preparatory School). Eleanor Claire Wren's relationships: Mom is her mother. (works as Antique Book Restorer & Conservator at The Wren Family House, Head Librarian at The Wren Heritage Library). Dad is her father. (works as Designer & Craftsman at The Wren Family House, Assistant Librarian at The Wren Heritage Library). Julian is her brother. (works as Assistant Weekend Librarian at The Wren Heritage Library, Sophomore at Weston University Engineering Building). Mom is her aunt. (works as Interior Designer at RS Design Boutique). Danny is her cousin. (works as Undergraduate Junior at North Bay Institute of Design). Ollie is her cousin. Addie is her cousin. (works as Student Activities Coordinator at Bayview High School, Barista at The Binding & Brew Cafe, Senior at Bayview High School). Maddie is her cousin. (works as Treasurer at Bayview High School, Operations Specialist at The Wren Heritage Library, Senior at Bayview High School). Jisoo is Mira's mother. (works as Art Director at The Beacon Art Museum). Brian is Mira's father. (works as Sound Engineer at Home Studio at Kim-Jung Wing). Elena is Sofi's mother. (works as Sports Nutritionist / Wellness Coach at Highland Prep at Highland Preparatory School). Dad is Sofi's father. Yuna is Hana's mother. (works as Tech Lead / Product Manager at Silicon Glade Innovation Center Design Building). Haneul is Hana's father. (works as Professor of Philosophy & Literature at Weston University Humanities Building). Mateo is Sofi's brother. Bella is Sofi's sister. (works as Middle School Student at Pacific Vista Middle School). Mira is her friend. (works as Student Government President at Bayview High School, Senior at Bayview High School). Sofi is her friend. (works as Athletics & Wellness Representative at Highland Preparatory School, Senior at Highland Preparatory School). Hana is her friend. (works as Senior at Bayview High School). Elie is Mira's friend. (works as Arts & Literature Representative at Highland Preparatory School, Weekend Librarian at The Wren Heritage Library, Tour Conductor at The Wren Heritage Library, Senior at Highland Preparatory School).
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